30, 1905) Peter und Paul reisen im Schlaraffenland (Max und Moritz reisen ins Schlaraffenland) (Dec. 11, 1913 rev.as Die Tangokönigin, Vienna, Sept. as Der Schlüssel zum Paradies, Leipzig, Oct. in Vienna unless otherwise given): operetta: Fräulein Leutnant (1901) Arabella, die Kubamerin (1901 unfinished) Das Club-Baby (1901 unfinished) Wiener Frauen (Der Klavierstimmer) (Nov. a thematic index of his works (London, 1985). Lehár’s music exemplifies the spirit of gaiety and frivolity that was the mark of Vienna early in the 20 th century his superlative gift for facile melody and infectious rhythms is combined with genuine wit and irony a blend of nostalgia and sophisticated humor, undiminished by the upheavals of wars and revolutions, made a lasting appeal to audiences. After World War II, Lehár went to Zürich (1946) thenreturned to Bad Ischi shortly before his death. Ironically, Die lustige Witwe was one of Hitler’s favorite stage works. Lehár’s last years were made difficult by his marriage to a Jewish woman, which made him suspect to the Nazis. 4, 1928), and Das Land des Lächelns (Oct. For Berlin, he wrote Der Zarewitsch (Feb. From then on Vienna played host to most of his finest scores, including Der Graf von Luxemburg (Nov. 30, 1905 it subsequently received innumerable performances throughout the world. His most celebrated operetta, Die lustige Witwe, was first performed in Vienna on Dec. 20, 1902), he established himself as a composer for the theater. Although his early stage workswere unsuccessful, he gained some success with his marches and waltzes. From 1890 to 1902 Lehár led military bands in Pola, Trieste, Budapest, and Vienna. in Elberfeld in 1889, entered his father’s band (50 th Infantry) in Vienna, and assisted him as conductor. In 1888 he became a violinist in a theater orch. In 1887 Lehár submitted 2 piano sonatas to Dvořák, who encouraged him in his musical career. In 1885 he was brought to the attention of Fibich, who gave him lessons in composition independently from his studies at the Cons. He then entered the Prague Cons, at 12 and studied violin with A. He began his music training with his father, Franz Lehár (1838–98), a military bandmaster. ITA Italian (Italiano) (Amelia Maria Imbarrato), "Rosellina selvaggia", copyright © 2006, (re)printed on this website with kind permissionĬonfirmed with Goethe's Werke, Vollständige Ausgabe letzter Hand, Erster Band, Stuttgart und Tübingen, in der J.G.Cotta'schen Buchhandlung, 1827, page 17.įirst published in a different version by Johann Gottfried Herder in 1772 with the title "Fabelliedchen", and again in 1779 with the title "Röschen auf der Heide" (see below).Lehár, Franz(actually, Ferenc), celebrated Austrian operetta composer of Hungarian descent b.HUN Hungarian (Magyar) (Tamás Rédey), copyright © 2015, (re)printed on this website with kind permission.FRE French (Français) (Pierre Mathé), "Petite rose de la lande", copyright © 2009, (re)printed on this website with kind permission.FRE French (Français) (Édouard Bélanger), "Rose sauvage".FIN Finnish (Suomi) (Valter Juva), "Ruusu metsätiellä".ESP Esperanto (Ludwik Lejzer Zamenhof), "La rozeto".ENG English (Michael P Rosewall), copyright © 2015, (re)printed on this website with kind permission.ENG English (Walter Meyer), "Rose blossom on the heath", copyright © 1996, (re)printed on this website with kind permission.DUT Dutch (Nederlands) (Lau Kanen), "Heideroosje", copyright © 2005, (re)printed on this website with kind permission.CZE Czech (Čeština) (Otokar Fischer), "Růžička".CZE Czech (Čeština) (Jan Evangelista Nečas), "Růže pustých polí".CZE Czech (Čeština) (Karel Dostál-Lutinov), "Růžička".CHI Chinese (中文) (Yen-Chiang Che), "野地上的小玫瑰", copyright © 2009, (re)printed on this website with kind permission.CAT Catalan (Català) (Salvador Pila), copyright © 2015, (re)printed on this website with kind permission.by Johann Wolfgang von Goethe (1749 - 1832), "Heidenröslein", written 1771, first published 1772 Īvailable translations, adaptations or excerpts, and transliterations (if applicable):.
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